Showing posts with label three and a half claws. Show all posts
Showing posts with label three and a half claws. Show all posts

Friday, August 29, 2014

Discount Armageddon by Seanan McGuire mini review

Discount Armageddon
by Seanan McGuire

Publisher:  DAW

Format: ebook (and I think I might pick up the paperback)    
Copyright: 2012
Pages: 368 

Genre: Fiction - semi urban fantasy ?
Source: purchased  
Summary from Seanan McGuire's website

Discount Armageddon introduces us to Verity Price, journeyman cryptozoologist, ballroom dancer, and former reality television star. She's on assignment in Manhattan, researching the local cryptid community while she pursues her dance career. It's a cushy job...at least until local cryptids start disappearing, and all signs start pointing to a man from the Covenant of St. George. But is Dominic De Luca really to blame? And if she casts her suspicions in the wrong place, is she going to survive the experience?

 Okay - this was fluff but totally fun fluff. If you are looking for something serious and logical - run far away.  If you are looking for cotton candy of the semi-urban fantasy type (no vampires or serious Gothic overtones here) this might be your bag.

The pros: I really liked the world building showing us how the cryptid communities have become incorporated into the human population of New York City or are hiding there in various niches. Verity is an interesting protagonist and you can sympathize with her internal conflict - deciding if she is going to dedicate herself to the family business - cryptozoology, or to her passion - ballroom dancing. The setup is good and while the character of Dominic is pretty paper thin and uninspiring, the rest of the cast of characters makes up for that.

One of the things that I especially love is that Verity has the support of a strong and loving family. The book totally passes the Bechtel test as well.

The cons: for a bad ass urban warrior type, Verity makes some pretty stupid decisions sometimes. Also the combat was of totally unbelievable cartoon variety.  And again, Dominic is a bit of a hot mess - lacking in veracity.

It seems if you really like Seanan McGuire's other, darker books, this one can come as a seriously disappointing shock. However, this is my first Seanan McGuire and I was totally looking for a fun vacation read, so I was really amused and was willing to suspend some serious disbelief.

Three and a half to four claws for me.  

Quote: Crazy gets all the knives.

Saturday, July 5, 2014

Dial-a-Ghost by Eva Ibbotson - mini review

Dial-a-Ghost 
by Eva Ibbotson

Publisher:  Dutton Children's Boks 

Format: Hardback  
Copyright: 1996
Pages: 195

Genre: Children's fantasy - slightly horror
Source: library book

From the cover:
The Dial-a-Ghost Agency finds good homes for ghosts. Bloodstained brides, headless warriors, bloblike ghouls—ghosts of every sort are matched with living families. There are two doors to the agency's office: one marked GHOSTS, the other marked PEOPLE. Through the first door come the Wilkinsons, a nice family of spooks who are fed up with haunting a knicker shop (the lacy slips and rudely named tights are not good for ghost children to be around!). Through the second door comes Fulton Snodde-Brittle, who wants the wickedest ghosts available for his grand home, Helton Hall. 

Luckily the agency ladies, Miss Pringle and Mrs. Mannering, have just the right match for each customer. They send the Wilkinsons off to a tranquil old abbey and promise Fulton Snodde-Brittle a pair of appalling spooks, the Shriekers, who wear rotten meat as jewelry and like to strangle children in their sleep. What the kindly ladies don't know is that the Fulton has an evil scheme to frighten his young cousin, the heir to Helton Hall, to death. Poor Oliver doesn't stand a chance against the Shriekers, but maybe the agency isn't as well organized as it seems. 

This delicious ghost story by the author of The Secret of Platform 13 and Which Witch? is filled with funny and frightening moments. It is sure to satisfy Eva Ibbotson's many fans, as well as those discovering her wonderful books for the first time. 
- * - * -

Still on an Ibbotson kick I grabbed this book when I returned The Star of Kazan. This time out we have a sweet orphan named Oliver, some nice ghosts, some extremely nasty ghosts and ownership of Helton Hall at stake. The good guys and the bad guys are clear right from the start of the story, as is at least one of the twists. As with The Secret of Platform 13, the reader knows pretty much everything that is going on (with a couple of exceptions to keep things interesting) so most of the tension in the story lies in waiting for the characters to figure out what is going on. This makes for a somewhat comforting read for a younger reader, except the subject matter - death, ghosts, hatred - is a little heavy. Overall, the story is pretty fun, the characters interesting and the setting vivid. I read it in an afternoon and liked it.

I am a little puzzled as to audience here though. The descriptions of the Shriekers - both appearance and behavior - are pretty graphic and nasty. I know that neither of my children would like this book right now, as neither of them are interested in spooky stories. This book is definitely for kids who are into creepy stuff - it isn't out and out horror, but nasty enough that younger children probably won't like it, nor kids who are sensitive to that sort of thing. However the plot and writing style are clearly geared to younger rather than older kids - the plot just isn't sophisticated enough for middle school kids. So, the book seems to be targeting the slightly bloodthirsty segment of upper elementary school students? 

And my complaint with about lack of pay off in the last couple of books? This book overdoes it. The last bit of the story was really unnecessary and a bit too over the top with trying to achieve 'poetic justice.'  So I am sticking to my hypothesis that Ibbotson has trouble with balancing her endings. Either they are too abrupt or are like beating a dead horse. For example, The Star of Kazan had two (?) extra chapters after the ending of the story - if you read the story their is a chapter that in name and action clearly brings the story full circle and you have resolution. Then for some reason the book goes on past that with information that you either already knew about or stuff that could have been incorporated earlier. This doesn't have to be a deal breaker, as long as the ending doesn't damage or destroy your enjoyment of the book though. The ending of Dial-a-Ghost didn't wreck the story for me but it did make me say - ick! I didn't need that.

So standing alone, Dial-a-Ghost is a three and a half claw book for me.

However, now that I have read several of Ibbotson's children's books a pattern has started to emerge that really bugs me (with The Star of Kazan being the only partial exemption) the good guys are always 'normal' and at least nice-looking, if not beautiful, while the bad guys are always ugly, fat, ultra thin, imperfect and/or repulsive in some way. You can sort her characters into good guys and bad guys just by looks. This is not a good take-away message for kids. Pretty =/= virtuous and 'ugly' =/= evil.  It wasn't bad when I had only read a couple of the stories but now that I have read several of them, it is starting to really, really annoy me. Dial-a-Ghost in particular really hammers this home not only with the humans but also the ghosts. This realization is making me re-think my enjoyment of her books unfortunately.

Saturday, June 28, 2014

The Island of Chaldea by Diana Wynne Jones

The Island of Chaldea 
by Diana Wynne Jones (and Ursula Jones)

Publisher:  Greenwillow

Format: Hardback 
Copyright: 2014
Pages: 356

Genre: Children's fantasy
Source: own book

From the cover:

How are you supposed to turn into a Wise Woman if your powers don't show up ? 

Aileen comes from a long line of magicworkers. And her own gifts should have been even greater. But she failed her initiation so completely that she had doubts she'll ever become as magical as her aunt Beck, the most powerful magicworker in Skarr.

So when the High King sends Aileen and Aunt Beck on a secret — and suspicious — quest across all the Islands of Chaldea, Aileen worries she'll only be in the way. 

Hmmm, as Aunt Beck would say. What blather. 

The quest is not at all what it seems, and Aileen must puzzle out her own way after ... [too many spoilers! I'm not gonna finish typing this all in!] Don't read the description in the front cover!  Just read the book.

I spotted this book when I was at the bookstore picking up some end of year gifts for my daughter's teacher (I got some books for her classroom). When I saw Diana Wynne Jones' name I made a squeee noise. Howl's Moving Castle is one of my favorite books ever. (I like Hayao Miyazaki's film to but I have to leave a good time gap between engaging each of them - Miyazaki took the book's title, some characters, and few ideas and then went rocketing off in his own unique direction so comparing the book to the movie is like comparing apple pie with roast turkey - just not possible, so having them in the same brain space makes me unhappy). I also love the Derkholm books - so lots of happys seeing a new book since Diana Wynne Jones passed away in 2011. This book was from an incomplete manuscript that she stopped working on when she got too sick to continue. Her sister, Ursula, finished the book. 

I did reign in my expectations - I knew that she was ill when she was writing, so I wasn't expecting Howl or the like. Even "bad" DWJ is better than most of the stuff out there, so I was willing to buy the book in hardback. Now that I have completed the book I can say, well, I enjoyed it but it really needed some better editing. 

There are some serious issues with the timeline - when the barrier went up, people's memories of events, Ogo's life - things are a bit of a hash. According to the story, the barrier went up 10 years ago (this is said explicitly), when Ogo was 5 (? so he is just 15-16 now???), and the Prince was kidnapped a year later - nine years ago. So, things have been this way for a decade, but the way the story presents this is very confused - sometimes sounding like it has only been a couple of years, like those ships left in the harbor should have been in much worse shape after a decade - other times sounding like it has been ages. It pulled me out of the story several times as I sat there thinking, "That doesn't make any sense." Once they  reach Logra I had to go back to the beginning and re-read so of it because I got so confused and found out, no it wasn't me, this really didn't make sense. Also, the story is pretty slow moving for the first section and then the ending flies past so fast it is hard to follow what is happening - the uneven pacing got quite distracting.

Now I have been a real downer so far, but to be clear -  there were things I liked. The world building was interesting - the differences in the islands for example - I would like to have learned more there actually - and the characterization is good - the leads all have distinct personalities. Aileen makes a very sympathetic protagonist and, while we did start creeping too close to generic YA snowflake girl, I absolutely loved it when Ogo basically told Aileen to get over herself. That was awesome.

I was not as enamored with the villains - cardboard city. I could even see Keanu Reeves' Don John from Much Ado about Nothing "it must not be denied but I am a plain-dealing villain" - I am going to be a cackling maniac now just because I can - Bwah ha Ha !!  - reasons ?? I don't need no stinking reasons! 

Oops, sorry. Ah, humm. At points it really did seem like the book version of a B-movie chewing up the scenery, which was off-putting. There should have been a better reason for all of this - it was hinted at in the beginning of the book when they discuss how the different islands have different resources. That really should have been expanded on.

Honestly, this book reads like a mid-generation draft where ideas are still being thrashed out and the author is still trying to figure out how exactly she wants to tie up the loose ends - the bones are there but the muscles are not all connected (what a yucky metaphor!) You can see a better book hiding in there. I am making this sound worse then it really was though - as I said, I did like the book.

Well this is a rambling blather I have generated. To sum up ... if you are a fan, this is definitely a better book to say goodbye to Diana Wynne Jones with than Earwig and the Witch. Read it, but you might want to wait for the paperback if you are not a diehard fan. If you have not read DWJ's yet start with something else - Dark Lord of Derkholm, Howl's Moving Castle, or Archer's Goon.

Um - I am still lousy at turning this into a rating - three and a half to four stars?  I can't honestly say that I am seeing much re-reading potential here - Liked, not loved. 

Saturday, March 15, 2014

Fortunately, the Milk by Neil Gaiman

Fortunately, the Milk 
by Neil Gaiman
Illustration by Skottie Young 

Published: Harper Collins Children's Books
Format: Hardback
Copyright: 2013
Pages: 113
Genre: Children's fiction
Source: personal copy 


So first off - Aaahhhh! Chris Riddell illustrated the UK edition!  We like Chris Riddell's work (for example, Goth Girl and the Ghost of A Mouse and the Ottoline books). Now I want a copy of the UK edition! My daughter had some trouble working out the Skottie Young pictures and we spent some time trying to understand them in relation to the story. Not that this is a problem, but I think I would have preferred the UK edition since my daughter already really likes that illustrator's work.

The story: While mother is away, dad has to go to the corner story to pick up milk for his children's breakfast cereal (and his tea). It takes him rather a long time, and when he returns, dad recounts his adventures after being abducted by aliens.

My daughter and I read this book while at home during the March blizzard.  It kept her attention and she enjoyed it (so - at a guess four claws from my daughter). The story is a nice, simple addition to the fine tradition of BS stories that some adults tell children (for me it was usually either an uncle or a cousin that would tell me stories of this type.)

I liked it but was rather less than enamored with the portrayal   of the females in the story (the mother and sister - ponies, really?). I see what he did with that last twist, so the author set up that complaint intentionally to his throw in his surprise, but still it simply adds to the idea that the default condition is male. So - bonus points for realizing this is an issue but I am still not really happy with the idea that the dad was embarrassed about gender. It was just awkward - like being raspberried by the author - ooh how clever I am. I am giving it three and a half claws. I liked it and if my daughter wants to read it again we will, but it won't be on the top of the pile.

Sunday, March 2, 2014

Curtsies & Conspiracies by Gail Carriger

Curtsies & Conspiracies
by Gail Carriger

Published:  Little Brown and Company, Hachette Book Group
Format: Hardback
Copyright: 2013
Pages: 310
Genre: Fiction - Steampunkish
Source: own book

 "Miss Temminnick. Miss Plumleigh-Teignmott. With me, ladies, please."

Sophronia glanced up from her household sums. She was glad of the distraction. She was convinced she was miscalculating the purchase of the three most deadly flower arrangements. Does one need four fully grown foxgloves for decorating a dinner table for six guests? Or is it six foxgloves to kill four fully grown guests?"

Curtsies & Conspiracies is the sequel to Etiquette & Espionage, and the second book in the Finishing School series, which is set in the same world as the Parasol Protectorate books. Sophronia is back at Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality and the game is still afoot. The story opens with the debuts getting their six month review, but shortly that is the least of Sophorina's worries. Several plot lines from the previous book are picked up and there are more developments.

Once again, the story is quite fun, in the style of a comic romp. It took me basically a day to read. The world-building is on the whole, interesting and vivid. The plot is a bit deeper and darker than the previous one, as Sophronia is now confronted with the consequences of her actions. This is a good development as she starts to have greater depth as a character. In a somewhat odd twist, the details of the book are well-drawn, intricate, and quite fascinating, but the overarching plot is rather a mess though. The wrapup at the end of the book was a bit of a downer.

I still quite like Sophronia, but she develops into a fully-blown Mary Sue in this book and there were too many instances of other characters doing something or being somewhere just so Sophronia could get what she needed. That got really annoying. I really hope that in the next book we are less beaten over the head by exactly how amazing and perfect Sophronia is and that Dimity and the others get more of a chance to contribute something better. I find ensemble work much more interesting.

The major down side to in this book that made it significantly less fun for me is that the author has started constructing a "love" triangle. WHY???  Why is it so impossible for books to have girls and boys be friends?  WHY?  That was the thing I was enjoying the most in the first book.  Several friendships developed and grew.  It was a welcome thing. Now for some bizarre reason we have a completely unlikely love triangle involving 15 year-olds. ARGH!!!  Unnecessary, majorly awkward and just plain creepy in many, many ways.  Being friends with a boy does not automatically mean that you suddenly MUST have romance developing. ARGH!!! again.

I still liked the story and am looking forward to the next book Waistcoats & Weaponry which will hopefully be released towards the end of the year. I didn't like how what was a fairly original story dovetailed so suddenly into standard YA tropes but I remain hopeful. Three and a half claws this time.





Warning   -   Smallish SPOILER  AHEAD   -      -      -     -     -    -     -      -     -     -     




The vampire stuff in particular started to annoy me when I began thinking about it.

So -  According to the story, queens are stuck inside their hives/homes. New queens can only be made by an existing queen, so do they end up in the same hive? Logic says no, based both on the analogies being used and the way the hives are described.  Is there a swarm as the new queen suddenly moves across London with a pack of drones and start a new hive?  Turning is apparently difficult but there are roves around that had to be turned by a queen - they get turned in some hive but then have some kind of tether to somewhere.  How are the tether points decided ?  There are some other aspects to how vampire society works that also don't make sense if you think too much about them.

Yes, I know that Sophronia is asking the same kinds of questions, so theoretically the answers will be related to future developments in the plot, but I am already having trouble with how this could possibly make any sense. 





 END   -   SPOILER     -      -      -     -     -    -     -      -     -     -     

Sunday, February 16, 2014

The Wolves of Willoughby Chase by Joan Aiken

The Wolves of Willoughby Chase 
by Joan Aiken

Published:  Yearling
Format: Paperback
Copyright: 1962
 Pages: 192 
Genre: Children's fiction
Source: own book

When you are sick, reading a book that you remember liking as a child seems like a good idea. I had recently been thinking about Joan Aiken's Wolves Chronicles, so this seemed as good a time as any to revisit the stories. I first read Wolves of Willoughby Chase when I was in elementary school, though this was many years after it was originally published.  I know I read the first book more than once and enjoyed it, so I was wondering what it would be like to read as an adult. I never realized that the series eventually stretched to 11 books and one prequel.

The Wolves Chronicles are set in an alternate history of the UK. According to the Note in the book "The action of this book takes place in a period of English history that never happened – shortly after the accession to the throne of Good King James III in 1832. At this time, the Channel Tunnel from Dover to Calais having recently been completed, a great many wolves, driven by severe winters, had migrated through the tunnel from Europe and Russia to the British Isles."


The book starts with the introduction of Miss Slighcarp to Willoughby Chase. She arrives unexpectedly at the door a day earlier than expected, by means unknown. Miss Slighcarp, a distant cousin of some sort, is to act as governess and manage the estate because Sir Willoughby is departing eminently on a sea voyage to improve the health of his wife, Lady Green. Their daughter Bonnie is to stay behind with the new governess and her cousin Sylvia, who will be arriving on the train that day.  

Signs and portents are already in place that Miss Slighcarp is not a good person. One of her first actions is to hit Pattern, Bonnie's beloved maid, with a marble hairbrush for daring to unpack a little case that apparently contains papers. Bonnie looses her temper, throws the hairbrush out the window (which I just realized should have broken the window - it is the middle of winter so the window wouldn't have been open - but this is never even mentioned) and tosses a jug of warm water in the face of her new governess. Things have clearly not started out well.

Sylvia is an orphan who lives in a one room flat with her Aunt Jane in London. They are clearly very poor, but Aunt Jane has her pride and has never asked for help from her rich brother Sir Willoughby.  Her health is failing now, so she has asked her brother to take in Sylvia and he has agreed.  So near the start of the book Sylvia is packed onto a train for the long trip to Willoughby Chase.

Bonnie and Sylvia are set up as opposites - Bonnie is a dark-haired, adventurous girl with a quick temper and few manners, while Sylvia is a golden-haired, gentle spirit well trained in the arts of proper deportment and needlework.  They become fast friends.

You can already tell where this story is going ... Miss Slighcarp is not who she seems and as soon as Sir Willoughby and his wife leave, she shows her true colors. Bonnie and Sylvia have to find a way to save the estate, and themselves, as the villain's take control. There are secret passages and runs through the countryside.

The fun of this story when I was a child was that the girls had the adventure and they were not totally passive.  So many of the adventure stories that I remember reading as a child had girls like Wendy from Peter Pan, a basically passive party to the events that unfold around her.  Bonnie is never passive and seemingly passive Sylvia also has moments of great bravery.  There is a boy, Simon the goose-boy, who does help them, but they were working on escaping anyhow. Simon's assistance makes it much easier, but you just know that they would have figured something out somehow.

I see now as an adult that the story does not hold together quite as well as I remember. For one thing, as a child the erratic and bewildering behavior of adults can be accepted without question, but looking at this as an adult, Sir Willoughby needs to be beaten upside the head - seriously what parent on Earth would leave their only child in the hands of a person that they have never met, not to mention the running of their entire estate, departing for a journey of several months less than twelve hours after they show up in your house ?  Not to mention leaving his only sister to wither away in London without ever checking on her apparently.  What a total twit. I wanna smack him so hard!

I am still looking forward to reading the story with my daughter when she is old enough to see what she thinks.  I am also going to read the next couple of books in the series, since I never got a chance to as a child.

My adult rating is a three and a half, my child rating would have been a four or four and a half. This is definitely one of those books that works best at a particular age.



Sunday, February 2, 2014

The Golem and the Jinni by Helene Wecker

The Golem and the Jinni 
by Helene Wecker
Published:  Harper Perennial 
Format: Paperback
Copyright: 2013
Pages: 484
Genre: Fiction
Source: own book

From the cover "Chava is a Golem, a creature made of clay, brought to life by a strange man who dabbles in dark Kabbalistic magic. Ahmad is a jinni, a being a fire, born in the ancient Syrian Desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop.

Struggling to make their way in 1899 New York, the Golem and the Jinni try to fit in with their immigrant neighbors while masking their true selves. Meeting by chance, they become unlikely friends whose tenuous attachment challenges their opposing natures, until ..."

Okay, actually I cut off the description from the cover because frankly it gives away too much. I am glad that I hadn't read it until now. Strangely enough the plot is both complicated with many threads, while at the same time simple and quite short. Reading the cover sets up expectations for events far into the story, which is really too bad of publishers. I think it is better to follow the tale as it unfolds.  There is more than enough waiting on events without the cover description making it worse.

The essence of the story is more about the natures of each of the main characters and how they struggle with reconciling themselves to their current conditions, then it is about action anyhow. The Golem represents steadfastness and giving, subsuming of ones own will to serve another, while the Jinni represents the mercurial and, while not exactly selfish, he is pretty oblivious to consequences of his actions, and to the needs and wishes of others. This got a bit heavy handed without noticeably advancing the self-awareness of either character for much of the book.

The story develops very slowly and I am afraid that I got rather impatient at points, waiting for the foreshadowed events to finally occur.  I had also invented several alternative plots in my mind, so in some ways I was rather disappointed with how some of the story lines were resolved.

I feel that Chava doesn't really get the development that she deserves. The whole question of agency is a large one, after all, exactly how much agency did non-golem women have in 1899? I also didn't quite get where this whole golems would become mindless agents of destruction thing came from - in the traditional stories I learned, the reason that a golem would go on a destructive rampage was that they were at the mercy of uncontrolled human emotions - trapped in the flash of rage that can overwhelm a human mind during a crisis in their life. This never quite meshed with me in the book - I see her getting overwhelmed by rage or fear but I don't see why she would feel joy at destruction. I have mentioned before that I very much love Terry Pratchett's Feet of Clay and the development of Golems in the Discworld books.  I think there is really much more depth there to be explored and it just kind of sat there.

The book is beautifully written and has the beginnings of a carefully rendered portrait of a period of history, though I have liked for there to be a greater distinction between the different communities. I really enjoyed the peak at immigrant life and the distinctions that used to exist. This was the best part of the book - both the 'openness' of the city as well as the sense of claustrophobia.

Overall, I very much enjoyed the book and will certainly look forward to future books by this author. I do have to admit that I am rather displeased with the ending though. Lack of full resolution is fine with me, so in some ways it was the perfunctory nature of some of the "ends" was unsatisfying. Intellectually, there are some issues with what happened. It is hard to day anything else without giving something away. I do want to point out though, several reviews have called the Golem and the Jinni potentially immortal - that is not true - they may live longer than an ordinary human but they are not immortal - that is in fact an important part of the story so I don't understand why so many reviewers didn't understand that.

Update: The more I think about it, the more upset I am about how the last portion of the book played out. With only one exception (the Jinni) I don't understand why the characters behaved as they did. This includes the antagonist - so think about what happened - the memories, the quote "No golem has ever existed that did not eventually run amok. You must be prepared to destroy her." (from the first chapter of the book) and what follows. Just huh? Why ?  There is a point where the story changes pace completely and the characters are no longer acting in accord with what was slowly and contemplatively constructed for the first 2/3 - 3/4 of the book. It doesn't make sense.


So - three and a half claws (this was four but after sleeping on it, the last quarter of the book really did annoy me)  - I am glad to have read it though I clearly don't love it the way several other people did. Also - if you like fast moving action in your books - avoid this book. It moves very slowly and you will frustrated.